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The first contract agreement considers a period between one to three years after which could then be confirmed as a permanent contract.

Applications will be subject to a pre-selection, based on the analysis of CV and other materials that we strongly recommend that candidates should supply at the application platform [especially excerpts of video recording of performance(s)], and the candidate will be informed of the result by 28 October 2022.

Choose one: K. Stamitz – Viola Concerto – 1st Movement with cadenza or F.A. Hoffmeister – Viola Concerto – 1st Movement with cadenza - 1st round

Choose one: B. Bartók (v. Serly) - Viola Concerto – 1st movement or W. Walton - Viola Concerto – 1st movement or P. Hindemith - Viola Concerto – 1st movement - 3rd round

- W.A. Mozart – Overture “The Magic Flute” bars 27-53
- F. Mendelssohn-Bartholdy - Ein Sommernachtstraum, Op. 61, Allegro Vivace – Bars 70-93; 135-138; 233-254 and 280-323
- G. Puccini – Manon Lescaut 3rd Act- Intermezzo - From beginning to bar N12
- B. Smetana – Overture “The bartered bride” From beginning to bar 13
- J. S. Bach – Brandenburg concerto N3, G M, BWV 1048, 3rd movement –bars 1-12 ; 31-39
- G. Mahler – Symphony N10, 1st Movement – Adagio – Bars 1-15 and 104-111
- D. Chostakovitch – Symphony N5, D m, Op. 47, 1st Movement – From Nº15 to Nº17
- A. Bruckner – Symphony N3, 3rd Movement – Trio – from beginning to N40
- S. Prokofiev – Romeo & Juliet Suite N1 – Tybalt death – 4 bars of N63 and from N75 to N78
- B. Britten – Peter Grimmes op.33b Passacaglia – From beginning to N1 and from N12 until the endù
- R. Wagner – Wesendonck Lieder 3. Im Treibhaus – bar 9 to 13 and from bar 55 to 58
- D. Chostakovitch – Chamber Symphony Nº10, 3rd Movement – bars 193-209
- S. Prokofiev - Romeo & Julieta, Suite N2. Poco più animato - solo
- L. Delibes - Coppelia, 3rd Act – N 7 – La Paix – solo